Our Mrs. Reynolds

Written by Joss Whedon
Directed by Vondie Curtis Hall

Synopsis | Review | SunSpeak

Synopsis

A peaceful rustic setting, and a wagon fording a river -- until armed robbers ride up on horses. The two settlers -- a woman in a bonnet and a man who looks suspiciously like Jayne resist; the outlaws push it, and Mal appears from under the bonnet to shove a gun in their faces. A shoot-out ensues, with Zoe appearing from the back of the wagon, and the outlaws come out on the losing end. The ensuing party looks like a good time -- Jayne gets very drunk and enchanted by a rainstick; Mal is given a flower crown and wine, and dragged into a dance by a pretty young girl, as Book watches from where he's tending to the bodies of the outlaws. They leave hastily the next morning, an Alliance patrol boat on the way. But as they clean up, Mal finds a stowaway -- the pretty girl from the night before, who informs him she's his wife.

The girl, Saffron tells Mal the Elder who hired them gave her to Mal as payment; Mal is a tad surprised to hear this. As is the rest of the crew when Zoe summons them all to the cargo deck. Sadly for Mal, they can't take Saffron back because of said Alliance ship; one of the bandits had friends in high places. They've got to keep going. Everyone (except Inara) is hugely amused by the situation, especially after Book confirms that the flowers, wine and dance are part of the marriage ceremony on that planet. Mal responds predictably to the news and the teasing, until his 'bride' runs out of the cargo bay in tears. Mal tracks her down, and promises to set her down on the next planet and find her a job in a factory or on a ranch. She'd rather stay his wife, and seems bent on proving it; Book tells Mal divorce is rare among her people, and that if he takes advantage of her, he'll burn in a special level of hell. Mal swears he won't, then gets conned into letting her cook for him, for which he gets duly teased by Wash and Zoe. Evidently, Saffron takes this wife thing very seriously -- she suggests that Zoe cook for Wash, won't let Wash take any dishes off the table, and offers to wash Mal's feet. Mal retreats fast to hide out in Inara's shuttle; they have the predictable fight and he bails back out. To find Jayne waiting outside with a very big gun. Which he cocks.

Jayne loves his gun, it's his most favorite thing, and he offers to trade it to Mal for Saffron. Mal somehow resists taking Jayne up on his generous offer, and tells him "no" in no uncertain terms; Saffron overhears and tells him she wants to work on a ranch if he won't have her. Mal approves, since he grew up on a ranch, and is surprised to find himself telling Saffron about it. As they talk, two pirates on a big space station scan their sensors, and mark Serenity as a potential catch -- they prime their "nets." Meanwhile, Zoe is starting to get suspicious and not a little upset about Saffron's presence, and she takes it out on Wash. And, as Mal descend into his quarters that night... Well, I'll give you three guesses who's in his bed and naked. Saffron does a damn fine job of using a Biblical argument in favor of getting to know Mal in the Biblical sense; Mal does an equally fine job of resisting but, being a guy confronted by a naked and persistent woman, he eventually gives in and kisses her. And promptly passes out cold on the floor. Saffron smiles smugly. "Night, sweetie."

Wash dozes alone on the bridge until Saffron comes to visit. She's back in 'innocent farm girl'; he doesn't go on alert until she closes the door. She starts putting the moves on him (again, quite smoothly, considering), but Wash is a man of willpower -- and a terrifying wife; he starts to get the hell off the bridge before she can kiss him, so Saffron knocks him over the head instead. She proceeds to start hotwiring Serenity's controls, and she knows her way around wiring. When she leaves, the bridge is dark, and she seals the door behind her by welding it. She then heads for a shuttle, only to run into Inara coming out of it. She regroups fast and slaps the farm girl persona back in place long enough to try the seduction routine on Inara. But one recognizes another; as the first alarms blare, Saffron informs Inara she's Malcolm Reynolds' widow. Inara instinctively starts to swing at her, but Saffron's faster; she knocks Inara down and steals the shuttle, getting the hell away from Serenity. Inara lets her go, racing down to check on Mal. She finds Wash and Zoe on the way, Wash recovering from the attack, and leaves them to go into Mal's quarters. Finding him alive, she kisses him in relief, then yells for Simon... then starts feeling woozy. She has just enough time to curse mal before she passes out. Ma comes back around to find the entire crew gathered around; Simon tells him Saffron drugged him with a narcotic called the Good Night Kiss, delivered via liplock. Inara maintains that she fell and hit her head; Wash and Zoe tell him their controls are frozen and locked, they don't know where they're heading, and it's going to take some time to fix it. As they set to work, Inara tells them that Saffron is an Academy-trained companion, one who knows all the moves. Wash kicks everyone out, but it's too late -- the pirates have seen them coming and are ready. And, as Wash and Kaylee get the sensors working, they locate the pirates, too.

Book and Mal recognize the cool, big, metal glowy thing the pirates are using -- it's a net, used to trap ships and kill their crews; they're not interested in survivors. Book knows way too much about them, which makes everyone look at him sideways, but avoiding the net is the priority. Leaving Kaylee to get navigation back, Mal rounds up Zoe, Jayne and Vera to deal with the net. Keeping Vera in a pressure suit to give her oxygen in the vacuum of the open cargo bay, Mal and Simon give Jayne a target -- shooting one of the breaker around the des should short out the net. It's a tense approach, but Jayne shoots clean; the net shorts out and Serenity sails by free. Shortly after, Kaylee gets the control back, and Mal sends them out to "go visiting." They follow the range of the shuttle, and Mal breaks down the door of the cabin where Saffron is hiding. She fights him and loses, but Mal doesn't get any of his answers about why, except that she apparently enjoys her work.

Back on Serenity, Mal pays another visit to Inara, curious as to how she managed to trip and fall hard enough to knock herself out in his quarters. As they invade each others' personal space, Inara admits she didn't fall, and Mal grins. "I knew you let her kiss you." He wanders back out as Inara contemplates other forms of drugs and murder.

Review

Okay. I went into this expecting stupidity, as very few people can make the naked-person-in-bed, person-seducing-entire-ship routine as funny as they think it is. Then I saw that Joss had written it and felt better.

Continuity:
Mal's mother ran cattle on a ranch on Shadow where he grew up; he was raised by her and the 40 or so farmhands.

Wash apparently grew up on one of the Central Planets; he claims to have gone into pilot training just to get to where he could see the stars.

Simon used to work the night shift in a city ER.

Book knows way too much about pirates and their toys.

Relationships:
Inara laid one on Mal in relief -- too bad he wasn't wake for it, even though he suspects.

Characters:
Poor Mal. < snicker > Ganged up on by his faithful crew. < snerk > Abandoned in his hour of need. < giggle > I enjoyed the cargo bay scene so much -- everyone getting into the act (except Inara, who I felt sorry for, and Jayne, who I think never actually got that it was an act; Jayne worries me < rolling eyes >), and Kaylee especially entertaining me. (I'm split between whether I like "He makes everyone cry." better than "Nice going, jackass." in Chinese. Can't decide. Don't actually need to.)

And wow, what a solid episode for Wash! Lots of time for him to indulge his sense of humor, a broader look at his marriage to Zoe than we'd gotten before (they're so cute in that credit shot snuggling by the fire), and I respect him both for resisting Saffron and for being slightly scared of his wife. < g >

Mal was just not having any fun at all, except at the end where he got to mess with Inara's head. I actually think Inara was having a worse day than Mal -- he got messed with and knocked out. She thought he was married, then thought he was dead, then got knocked out. Loved the kiss of relief, and even more loved her stead-fast denial of it for the rest of the episode -- I wonder who she thought she was kidding. Certainly Simon would have checked her over when he came down to check on Mal, and would know there's no head injury.... And loved the corner Mal painted her into at the end (and yes, I do think he did it deliberately; he *always* reverts to an 11-year-old); she either lets him spread the word that Saffron kissed her, or she admits that she kissed him. Rock, meet hard place.

I think Kiki's right, Jayne isn't a jerk, really -- he's just completely and totally un-evolved. He's two steps up from a gorilla (using tools and bathing, and the bathing may be optional), and sees no reason why there's anything wrong with that. < rolling eyes > I was looking forward to lusting after Adam Baldwin some more, damn it! This is disappointing. Not uninteresting, but disappointing. :( Book was really interesting -- he needed to get off that little self-righteous kick a bit, but I'm really interested in the source of his knowledge about piracy, oh yes.

Not much for anyone else to do, which is actually good -- River and Simon were both on the edges, so this isn't turning into their show, and Kaylee was cute. We so need a Kaylee-centric episode soon, though. I mean, seriously.

And Saffron was fairly cool -- completely irritating initially to all of us evolved feminist types, but with hints of the massive con peeping out every once in a while. I'm never going to *like* Hathor-type villains who use sex as their primary weapon, but she could have been lots worse, and I respect her ability if nothing else.

Best Moments:
The entire set-up on the wagon was hilarious, and Zoe popping around from behind the wagon rocked.

Zoe calling the entire crew to the cargo bay so that they, too, could have fun at Mal's expense. I could not stop giggling as everyone got into the action, even as I was feeling bad for Inara.

Zoe and Wash being adorable in the galley. So far, Joss is doing an awesome job of writing married (although I suspect he's grabbing dialogue directly from his own household on occasion. < g > Which is cool).

Book giving Mal a hard time -- Ron Glass is doing an excellent job of being a preacher without doing too much preaching. He's stern and funny and a little self-righteous and generally very human.

Do we even need to bother making jokes about Jayne's big gun? < snerk > That entire exchange with Mal about 'trading' told us so much about Jayne. Vera? Geez. Gotta introduce him to John Crichton and Wynonna.

Wash's reaction to Saffron's attempted seduction. That man is just so damn sweet -- Zoe is a very lucky woman.

Inara finding Mal and that kiss. I admit it, I'm a romantic. And watching her fall on her face, and steadfastedly deny why, was really, really fuuny. < g >

The 'assaulting the net' montage. I liked the effect of hearing only music, not sound, whenever they were in the vacuum of the cargo bay.

Mal's affectionate kiss on Kaylee's head. So cute.

Mal painting Inara into the corner in the last scene. Priceless.

Questions and Comments:
I am so happy this wasn't one of my long, obsessively detailed Buffy synopses -- I would have to flatly refuse to type the dialogue for the first seduction. < rolling eyes > As it was, I muted. Admiring the girl's work doesn't mean I want to listen to it.

The Chinese is slightly annoying ("I am not learning a new language for a fandom!" -- Celli), but my respect for the actors is growing. Kaylee's "Nice going, jackass" came through loud and clear, as did Mal's, "Shut up and get out of my face." Anyone out there who speaks Chinese? Want to give us translations? Enquiring minds want to know (and pick up new profanity).

I love that little encyclopedia thing of Simon's -- it's cool to watch future people have to look stuff up instead of just asking the computer or 'knowing'. Neat little plot device.

I'm trying to figure out the set-up of the hatches to the shuttles -- they're mounted on top of the wing and take off essentially straight up, but Mal walks straight through the hatch to go into Inara's shuttle from Serenity, rather than climbing a ladder, which you'd think he'd have to. Anyone got any ideas?

I enjoyed the concept of Jayne shooting the net from the cargo bay, and they get points for remembering that a projectile weapon based on an explosive charge (i.e., gunpowder), requires oxygen to function. That said, I'll accept the first shot, but shots 2 through 5 seem highly unlikely, given the realities of decompression (explosive or otherwise) once the helmet of Vera's suit was ruptured with the first shot. See below re: this so isn't straight sci-fi. [My dad the weapons geek informs me that gunpowder will function in vacuum or even underwater (it apparently has its own oxidizer?), which would actually seem to make the whole suit thing for Vera redundant. I stand by my comments below regarding Jayne's ability to hit any specific target at that distance with two helmets between him and his sights, no laser sights, and no scope.]

Rating:
4 stars out of 5. A funny take on an old cliche, executed nicely.

SunSpeak

"...the science of pinpoint accuracy with a projectile weapon in vaccuum at that distance is most iffy, but what the hell."
"Well, that and the fact that they could have sent themselves sufficiently off-course to miss the net by voiding the substantial quantity of atmosphere in that very cargo bay, which Jack was grumbling about for, like, the last quarter of the ep. But this *so* isn't straight sci-fi (arguably even less so than Farscape), and it was more fun to watch Jayne shoot the thing, so what the hell. :-) " -- Perri and Val

"I felt bad for Mal. And almost more so for Inara, who was *so* incredibly discomfited by both the Saffron sitch as a whole and the way everyone was taking potshots at Mal for it. And, I admit, even for Saffron, even tho I knew damn well there was more to her than met the eye. Gotta hand it to her, the girl was *good*. " -- Valerie

"I appreciated [Saffron] being drawn with that "because I can" attitude, and the ambiguity about whether Mal was really getting through her jadedness with the speech about the crew trusting each other, or if she was just playing again. I kinda like not knowing for sure whether I should pity her or not. I also like that she was more Theresa Russell in "Black Widow" than Hathor (or the pale imitation thereof that they married Lex off to last week, as if it wasn't a *completely* obvious ripoff even before her pheromone stuff was pink instead of the Kryptonite green we expected...well, after we said "Oh, she's not a bug after all! She's Hathor!!" But *wow*, do I digress) -- i.e. relying on skill and wits rather than on some supernatural ability or bolonium biotech. Not to mention being prepared to cheat, thus proving that she *didn't* underestimate her marks. I can respect a femme-fatale villain who uses sex simply because it's useful, not because it's "in her nature" in some yawnworthy misogynistic sense. She was also interesting as a flip side of Inara, whom they made sure to firmly establish as both independent and highly respected before setting foot anywhere near this territory. Same advantages in looks, intelligence, education, but completely opposing philosophies of what to do with them." -- Valerie

"Actually, Mal behaved fairly well with Saffron throughout; he was pretty sweet, all things considered, once he got over the shock."
"And probably would have done so sooner without everyone giving him shit about it, and just not quitting, even after Saffron bailed in tears. It was amusing, but it wore thin pretty damn fast." -- Perri and Valerie

"And the popping into frame [Book] did when he was reminding Mal? He was funny! I never expected him to be funny. :)" -- Celli

"I adore how Wash deals with [Zoe], it's so much fun." -- Chris

"Oh, [Mal] *so* did it deliberately. I have to give him that much credit, even if Inara probably doesn't. She seems to underestimate him *almost* as much as she pretends to."
"The look on her face when he walked out whistling? *snickers* Loved it. A lot."
"A con conned, and I was even more amused, considering that little breakdown of all games right before Saffron tried to kick in Inara's head ("Who *are* you?" "You're good, you know that?" *snerk*) Nice to see professional appreciation transcending any other considerations for a moment." -- Valerie, Celli and Chris on the last scene

"[Jayne]'s unevolved, but he's unevolved across the board, you know? There's no chauvism there, just obliviousness." -- Chris

"Question: How did she get to the put-upon settlers planet and convince them to marry her to Mal? Did I miss a major plot point when I was giggling?"
"Nope, but I'd bet that the 'wedding ceremony' still requires consent and prior knowledge, and is more symbolic than anything else now. They didn't clue Mal in because *they* didn't think he was married, either. IF some chick they didn't know wanted to give him a wreath, well, that's nice, but no big deal." -- Celli and Chris

"It was a fun episode! And I didn't get it on tape. Grr." -- Mary Beth

"Really good ep. It is starting to come together, isn't it? :)" -- Celli